AUDITIONS
AUDITIONS
Audition for Talisman mainstage productions
Here you will find the latest auditions and casting for upcoming shows at the Talisman Theatre, Kenilworth, Warwickshire.
Audition notices regularly posted and updated.
Scroll down or select the audition links below to see more details of auditions for our upcoming productions…
FRANKENSTEIN
Director: Kathy Buckingham-Underhill
Playing Dates: 19th - 24th May 2025
Audition Date: 22nd September 10.00
Where: At the Talisman Theatre
ENCHANTED APRIL
Director: Maurice Smith
Playing dates: 14th - 19th April 2025
Audition date: Sunday 22nd September 2024 at 10:00 AM
Where: At the Talisman Theatre
Auditions for both ‘Enchanted April’ and ‘Mary Shelley’s Frankenstein’ will take place simultaneously. Anyone wishing to audition for both plays are very welcome to do so and the Directors and Artistic Directors will liaise with each other fully before casting is agreed upon
Mary Shelley's Frankenstein
FRANKENSTEIN by RONA MONRO
AUDITION DATE: SUNDAY SEPTEMBER 22nd 10am
PLAY RUN: 19th to 24th MAY, 2025
DIRECTOR: Kathy Buckingham-Underhill
Synopsis:
Mary Shelley wrote Frankenstein in 1817, following a summer holiday in Geneva with a group of creatives including her husband, Percy Bysshe Shelley and the poet, Lord Byron. Byron famously suggested that they should write a ghost story; he could never have guessed that, of all those assembled, it would be the eighteen-year-old Mary who would smash the challenge with such success.
Frankenstein is a story we all think we know, but much of what we think we know is based on other people’s ideas and interpretations which have stretched and altered Mary’s ideas since the novel’s publication, anonymously of course, over two hundred years ago. There is no mention of the monster having a green face or a bolt through his neck, as represented in a
classic Halloween mask or as chased by Scooby Doo. However, it is a terrifying novel, and a blockbuster, which explores what it is to be human and the consequences of tinkering with the very essence of life and death.
Frankenstein is a monster sized novel which has been adapted by Rona Monro into a manageable piece of theatre which tells the story in a fast-paced, fluid style.
Crucially, Mary is placed at the centre of the action and the play is as much about her creative process (she even moves the action forward physically by manipulating characters and scenery) as about her hero’s story.
This adaptation lends itself to an energetic approach with plenty of opportunities to create dynamic physical responses. I picture a busy chorus supporting the roles on offer so, although there will be some doubling, I would like to gather together a team of enthusiastic actors who will bring their creativity and enthusiasm to help tell this story in the most vibrant and terrifying way possible.
The audition will involve an element of movement, so please wear comfortable clothes. Here are the available roles, the ages given are a guideline –
Mary Shelley, eighteen – Lead role, she is on stage throughout
Frankenstein, nineteen to twenty-two – A large role that requires skillful playing.
The Monster, any age – He is a largely sympathetic character, but the role certainly needs presence. It would suit someone of large stature.
Elizabeth, fifteen to nineteen – Frankenstein’s love interest. Eternally let down.
Safie, fifteen to nineteen – Turkish, girlfriend of Felix. The couple unwittingly teach the monster how to speak.
Walton; nineteen to twenty-two (could certainly be older) – The explorer on the ship who gets Frankenstein to tell his story.
Henry, nineteen to twenty-two (or a similar age to Frankenstein) – Frankenstein’s best friend. Felix, nineteen to twenty-two. Son of Peter, the blind man who lives in the forest.
William, twelve (could be a little older) – Frankenstein’s younger brother who comes to a tragic end.
Mother, thirties (could be older) – She dies early on but has a nice death-bed scene.
Justine, thirties (could be older) – A loyal servant to the Frankensteins. She gets blamed for killing William
Agatha, young enough to be Peter’s daughter – Lives in the woods. Master, forties (could be older) He is on the ship in the Arctic.
Father, forties (could be older)
Peter, forties (could be older)
Waldman. Forties (could be older) – A lecturer at lngolstadt University. Some of the above parts will be doubled.
Director – Kathy Buckingham-Underhill
Mobile: 07502 576723
To register interest for the audition or for any further information , please complete the form below.
As with all auditions at The Talisman Theatre, there is very much an open audition policy in place and we welcome anyone to come along to the theatre and audition for the available roles. Please see our diversity statement below for more details…
Frankenstein Audition Form
ENCHANTED APRIL
Enchanted April By Matthew Barber
AUDITION DATE: SUNDAY SEPTEMBER 22nd 10am
PLAY RUN: 14th to 19th APRIL, 2025
DIRECTOR: Maurice Smith
Synopsis:
In 1922, Elizabeth Von Arnim wrote a novel called The Enchanted April. Over 70 years later Mathew Barber an American graduate in Literature and Drama, wrote his first play based on the novel just called Enchanted April. It had its first performance in Hartford Connecticut in March 2000, and its Broadway performance in 2003 winning an award for Outstanding new American play and a Tony Award nomination for Best Play.
It tells the story of two neglected middle-class London housewives, who dare to rent a castle in Italy to escape their dull lives and who recruit two very different women to join them, to defray their costs. During their enchanted month in the Castle, the ladies fall under the spell of sunshine and wisteria blossoms. They rediscover laughter and begin to accept the truths and tragedies that they have hidden within themselves. They find the romance they all need but not maybe what they or what we expect them to find.
CHARACTERS
Lotty Wilton (30) – A Middle-Class Hampstead Housewife (Leading Roles)
Mellersh Wilton (32) – Her Husband a Solicitor
Rose Arnott (38) – A Middle-Class Hampstead Housewife (Leading Roles)
Frederick Arnott (45) – Her Husband a Writer.
Lady Caroline Bramble (25) – An Aristocratic Socialite
Anthony Wilding (25) – An Artist (Owner of the Castle)
Mrs Graves (70s) – an Upper-Class London Matron.
Constanza (60s) – An Italian Housekeeper.
A few comments on the characters and what they will be expected to do.
Mellersh Wilton. During a very funny scene in Act 2 while taking a bath the boiler explodes. He rushes out of the bathroom, wrapped only in a towel, which subsequently He drops and reveals his backside! He tries to make a very dignified exit.
Constanza. She is the Castle caretaker. She has a lot of the comedy. She is only in Act 2 And speaks only Italian.
The ages mentioned are arbitrary and could be played by older or younger actors if the range Is not too large.
PLEASE NOTE – There will be a reading of the play on Thursday,12th September 2024 at 7.30pm
If anyone requires any further information on these characters or the play, please do not hesitate to contact me on 07958 242568.
Director – Maurice Smith
Mobile: 07958 242568
To register interest for the audition or for any further information , please complete the form below.
As with all auditions at The Talisman Theatre, there is very much an open audition policy in place and we welcome anyone to come along to the theatre and audition for the available roles. Please see our diversity statement below for more details…
Enchanted April Audition Form
Casting Notices...
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THE TALISMAN THEATRE Diversity Statement for Auditions
“If you audition for plays at The Talisman Theatre you will be cast on ability and suitability for a role, regardless of ethnicity. The only exceptions will be where a particular ethnicity is clearly logical or expressly specified by the author. This has always been so in relation to disability and sexuality and this remains the case. We will also seek opportunities to be creative in casting, for example, changing the gender of a role where an auditionee is the best choice, and where this is coherent within the context of the play. (Please note, occasionally Authors and/or Rightsholders refuse permission for this.)”
Sept 2020